As such, this is a valuable, underrated transition album that provides perhaps the last glimpse of the electric as he embarked on his notorious (and ultimately triumphant) anti-electric crusade. Keith Jarrett Jack DeJohnette Ruta And Daitya Genere: Jazz Stile: Post Bop Anno: 1973 Elenco tracce Accrediti (8) Leena WesterlundDesign Kurt RappEngineer Martin WielandEngineer Eddie. Indeed, the most memorably percolating playing by both musicians turns up in the electric numbers, where utilizes the distinctively funky, wah-wah, fuzz-tone approach on electric piano that he developed with. Tellingly, there is little in this collaboration that predicts what and would do in their of the '80s rather, it anticipates the exotic Third World side of American quartet immediately in the future and adds a finishing flourish to his jazz-rock period. The all-acoustic title number ranges all over the lot, from tootling on a bamboo (?) flute to the energizing barrelhouse gospel riffs that would bloom in the solo concerts. Date of release on obi-strip in Japanese characters, as are artists names. Ginell awarded the album 3 stars, stating, "this is a valuable, underrated transition album that provides perhaps the last glimpse of the electric Keith Jarrett as he embarked on his notorious (and ultimately triumphant) anti-electric crusade".Splitting his time between the electric and acoustic pianos and a bit of organ, teams up with drummer/percussionist in a series of experimental duets, his only electric session for ECM. They took drums and percussion and the electric piano and organ from the club and made a tape (.)" and that after the Facing You recording session Jarrett gave Manfred Eicher the tapes of the duo recording to be mixed and produce the album. Keith formerly served as Liskow & Lewis’ President and Managing Partner from 2009 to 2015. In his Jarrett biography Ian Carr states that "early in 1971, when the Miles Davis group was doing a few days at Shelly's Manne Hole in Los Angeles, a friend from the Sunset Studios there offered Jarrett and DeJohnette some free studio time to record as a duo. Keith has also litigated claims involving catastrophic explosions and fires, engineering malpractice, property construction, and oilfield reservoir damage.
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